On a Roll

reflectionNow that my fire for poetry has been reignited, I’m finding striking, mysterious poems everywhere.

What follows is a deceptively simple yet achingly beautiful, nurturing and hopeful case for loving yourself, something that everybody struggles with. It is written by esteemed Caribbean poet, Derek Walcott.

 

 

Love After Love

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Also, today Neruda was still on my mind and so I went and reread one of my favorite love poems by him – a majestic piece that expresses so well the ego in love.

If You Forget Me

I want you to know
one thing.

You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists:
aromas, light, metals,
were little boats that sail
toward those isles of yours that wait for me.

Well, now,
if little by little you stop loving me
I shall stop loving you little by little.

If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.

If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.

But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.

Procreation

wordsIn a memoir I read recently, the narrator writes about the time when he met the woman who would become his wife. She wrote poetry, he said. During their courtship, they would spend hours writing and reciting poems to each other. These words slowly began to dislodge something inside of me…poetry, poems, poet. And then, a flicker of recognition: Hey! I know what that is! I used to do that! I used to be good at that!

Rewind to the Christmas before last. I was in New Zealand in my hometown and I bumped into an old friend I used to be quite close with. Petite and blond, she bares a striking resemblance to Kylie Minogue and was visiting from London. We took the same poetry writing course at university, as part of our English degrees (she got hers, along with a law degree, I downgraded mine to a minor). She asked me if I still wrote poetry. I said “Um, not really.” She replied, “That’s a shame. You were really good. You could do something with it.” A nice compliment and an interesting thought, but still, too traumatized and burnt out from graduate school, which I was only halfway through, I did not put pen to paper.

Fast forward to a year later. Just a few months ago, on a whim, my coworker in Seoul  invited me to a yoga class. It was in a dingy building in Seoul’s version of Chinatown for white people. All five of us fit snuggly into the room, which we shared with a little hamster named Pete. (The teacher warmed me that while free-roaming Pete usually keeps a low profile, he might pop out from his hangout to spend some time with us. And, indeed, at one point, as I am easing into downward dog, my eyes meet with a pair of little black shiny eyes, whiskers and a tail. Pete is staring me right in the face, as if to say, “Hey, you’re new here, aren’t you?” I let out a high-pitched princess-worthy scream, and he quickly scuttles away. Unfortunately, my friend tells me a few weeks later, Pete froze to death in what was one of the coldest winters in recent memory).

After the class, I noticed that the guy who came late looks familiar. We get talking and soon enough, I find out that he was also in that poetry writing class all those years ago on the other side of the world. He is working here too, the same kind of university gig. He also tells me that another guy from the class is around these parts too. Quite a high number considering that there were only 12 of us in the class.

This random meeting brings back a flood of memories from that time. Why I write about it now is because I think it is kind of funny, kind of cliched. The professor for that class was a very talented, famous/notorious American writer who was known for being difficult to get along with but also for shaping some of New Zealand’s best writing talent. Some of the students had moved cities and universities to be in this class. Past students had gone on to write books and win awards.

Our seminars involved sitting around a long table and critiquing our work which was submitted anonymously. We were the Stoner, the Hippy, the Reverand’s Wife, the Farmer’s Wife, the Bohemian, the Hipster, the Wounded Child, the Sophisticate, the Rastafarian, the Intellectual, the Goth and me. My creations, which were about family, travel, relationships, and of course sex and death, were called ‘inane’, ‘banal’, and ‘vapid.’ I had to run to the library to look in the dictionary to see what these words meant at the end of each session.

To celebrate the end of our course, we went to the teacher’s cabin-like house in a small community on the coast known for its large population of artists, musicians, sailors and people with substance abuse issues. We sat around, listening to Dr. Dre (amazing poet, according to the professor) and drinking cheap red wine from a cask. And then, one of our classmates comes late. He sits down and looks confused. He looks like he’s on the verge of a panic attack. We talk to him and try to pry out of him what is wrong. His agitation increases as he relays the day’s events: he took some LSD, and now he feels like he is turning into a woman. He is trapped inside the wrong body. He wants us to help him get out. Whhaaaaat?

Yes, that happened. Of course it happened. He talks some more about how he is feeling and we try to comfort him. Someone eventually has the idea of massaging his shoulders in order to bring him back into reality. But now, the atmosphere is too weird. We eventually drop the guy home and we all go our separate ways.

So after submitting my poems to the university’s anthology and having them rejected, I pretty much stopped writing poetry. I mean, you can’t make money from it. It doesn’t really have much of a purpose – it’s not like it’s going to end world hunger or stop global warming.

moonThen again, there is something sacred and beautiful about the gentle act of stringing words together that is an expression of your innermost self. Like gliding along alone in a sailboat on a moonlit lake. Maybe it’s worth doing it for the sake of just doing it – for the performance of it, the process. A creative gesture. Poet Jack Gilbert once said in an interview something along the lines of how tragic it is that we are not hungrier to find and express the diamonds inside of ourselves.

Thankfully, Pablo Neruda, one of my favorite poets, was. And hopefully I will be again, too.

…And that’s why I have to go back
to so many places
there to find myself
and constantly examine myself
with no witness but the moon
and then whistle with joy,
ambling over rocks and clods of earth,
with no task but to live,
with no family but the road.

(Pablo Neurda)